Twitter is awash with “traditionalist” art accounts that profess a yearning for simpler times. They mostly feature figurative paintings, architecture from the gothic to the baroque, lots of Greco-Roman sculpture and, of course, lots of white people.
James Greig argues that this isn’t just philistinism; it’s part of a broader sweep of far-right propaganda, rooted in our current politics:
“By comparing modern art with conventional depictions of rural scenes and able-bodied white people, this digital subculture is expressing a specific hierarchy of values. It’s about returning to a lost halcyon age of (implicitly white) western civilisation, which is sometimes Ancient Greece, sometimes the Renaissance, and sometimes Mad Men. It expresses a desire to return to ‘the natural order of things’, which has been degraded by modernity and multiculturalism, and conceptualises beauty as something which is eternal and objective.”