Roblog

Recent posts

  • For the sake of argument

    Narratives are particularly useful because they’re flexible, and can be updated when circumstances change. But how does that happen in a social setting?
  • This week I started my own strategy consultancy. It’s called Orso, and it provides commercial, consumer and creative strategy for creative agencies and consumer brands. The website explains more.

    (In case you’re wondering about the name: itsitalianforbear.com.) #

  • I’m sure not everyone – not even a majority, in fact – of the people reading Roblog are into football, let alone in-depth tactical analysis of it. But this is a fascinating video even if you’re not that way inclined.

    Fernando Diniz, the coach of Brazilian team Fluminense, has developed a radically new approach to tactics. Rejecting the systematic, shape-obsessed style of successful managers such as Pep Guardiola, Diniz’s approach appears to be chaotic. But it’s actually incredibly well-drilled – and successful.

    It’s a footballing application of so many things I talk about on Roblog. Like Cynefin (the players are constantly trying to get the game out of the merely “complicated” domain and into something more complex and unpredictable for their opponents). Or the difference between competence and literacy (the players aren’t concerned with playing a role; they’re genuinely improvising). Or systems thinking vs. sensemaking (the players aren’t interested in the system and its boundaries, they’re interested in the relationships between themselves).

    The deeper-dive article that the video mentions, Jamie Hamilton’s What is Relationism?, is also great if this stuff piques your interest. #

  • Myles Karp on why there are so many Thai restaurants in America, far more than the population of Thai-Americans would suggest:

    “Thai restaurants are everywhere in America. Mexican and Chinese restaurants might be more plentiful, but there are demographic reasons that explain the proliferation of these cuisines. With over 36 million Mexican-Americans and around five million Chinese-Americans, it’s no surprise that these populations’ cuisines have become woven into America’s cultural fabric. Comparatively, according to a representative from the Royal Thai Embassy in DC, there are just 300,000 Thai-Americans—less than 1 percent the size of the the Mexican-American population. Yet there are an estimated 5,342 Thai restaurants in the United States, compared to around 54,000 Mexican restaurants; that’s ten times the population-to-restaurant ratio. So, why are there so many Thai restaurants in the US?”

    I’ve thought the exact same thing about the UK, and had idly assumed that it was because there were lots of Thai-Americans and we were influenced by American cuisine. The actual answer is fascinating. #

  • The importance of narrative

    The importance of storytelling within sense-making, and what makes for an effective sense-making narrative.
  • Defining sense-making

    An attempt to define “sense-making” in a straightforward and useful way, avoiding academic or obtuse language.
  • Samuel McIlhagga strikes a pessimistic note about Britain’s prospects:

    “The overall trajectory becomes obvious when you look at outcomes in productivity, investment, capacity, research and development, growth, quality of life, GDP per capita, wealth distribution, and real wage growth measured by unit labor cost. All are either falling or stagnant. Reporting from the Financial Times has claimed that at current levels, the UK will be poorer than Poland in a decade, and will have a lower median real income than Slovenia by 2024. Many provincial areas already have lower GDPs than Eastern Europe.”

    …and, most interestingly, digs into the long historical context that leads up to this point; this modern malaise has deep roots. #

  • Drew Breunig compares AI to a platypus – usefully, as it happens:

    “When trying to get your head around a new technology, it helps to focus on how it challenges existing categorizations, conventions, and rule sets. Internally, I’ve always called this exercise, ‘dealing with the platypus in the room.’ Named after the category-defying animal; the duck-billed, venomous, semi-aquatic, egg-laying mammal.

    “There’s been plenty of platypus over the years in tech. Crypto. Data Science. Social Media. But AI is the biggest platypus I’ve ever seen… Nearly every notable quality of AI and LLMs challenges our conventions, categories, and rulesets.”

    #

  • Lingjing Yin thinks about how to get better at delivering feedback within teams, something that people are generally pretty bad at:

    “How might we treat feedback as an opportunity to learn rather than to teach and go into it with a curious mindset to explore the strengths, gaps and opportunities of each other and the context we are part of?”

    #

  • An introduction to sense-making

    The first in a series of articles about sense-making, the practice of making sense of the world and making decisions on how to act
  • Clear analysis on the potential upcoming Ukrainian offensive from the peerless Lawrence Freedman:

    “Putin and his commanders cannot afford to get many more of the big strategic decisions wrong. If they do so then they will face the prospect of not only futile stalemate but of humiliating withdrawals. I am less convinced than others that they can continue to brush off one setback after another simply because that is what autocratic police states can do, pretending to their people that nothing seriously has gone wrong. Insouciance and misinformation can take you only so far.”

    #

  • I went to see the crowds at the coronation this weekend, to see if it felt like history in the making. The mood was hard to gauge; the rain really put a dampener on things. But the crowd felt so much less reverential than when the Queen died, so much less moved, so much less interested. If someone travelled back in time and told me that this was in fact the last ever British coronation, I wouldn’t be enormously surprised. #

  • The Gentle Author went with photographer Tom Bunning to see William Oglethorpe, who makes his Kappacasein cheese under a railway arch in Bermondsey. (It’s incredible cheese, if you get the chance to try it; they do a “London Raclette” that’s every bit as good as you’d hope.)

    “‘Cheesemaking is easy, it’s life that is hard,’ Bill admitted to me with a disarming grin, when I joined the cheesemakers for their breakfast at a long table and he revealed the long journey he had travelled to arrive in Bermondsey. ‘I grew up in Zambia,’ he explained, ‘And one day a Swiss missionary came to see my father and asked if I’d like to go to agricultural school in Switzerland.’

    “‘I earned a certificate of competence,’ he added proudly, assuring me with a wink, ‘I’m a qualified peasant.’”

    #

  • I knew that butter lasted for a while out of the fridge, but didn’t realise quite how long – to the point that many people advocate never refrigerating it in the first place:

    “In 2015, Ms. Mertzel sent samples of four brands of butter to a lab for testing. The finding: No sign of spoilage after three weeks of storage at 68 to 77 degrees Fahrenheit [20 to 25 degrees celsius]. She commissioned a similar analysis this year and found no spoilage after 30 days.

    “‘This is a quality issue, not a safety issue,’ said Gina Mode, a butter researcher at the University of Wisconsin’s Center for Dairy Research. Butter will eventually go rancid but that won’t make people sick, she said. Ms. Mode in an informal survey of her colleagues found that 24 of 31 keep butter out, a telling data point among experts.”

    #

  • Adam Rutherford showcases five data visualisations that changed the world, for both good and ill:

    1. John Snow’s dot map of Soho, that led to an understanding of the transmission of cholera

    2. Florence Nightingale’s Coxcomb of military deaths in the Crimean War

    3. W. E. B. Du Bois’s graphs of African-American advancement in the years following slavery

    4. Henry Goddard’s Kallikak family tree, used to justify eugenics

    5. Ed Hawkins’s global warming colour stripes

    #

  • Richard Jones, whose Soft Machines blog is a great read on industrial strategy, sets out what the UK should do to build an effective semiconductor strategy – of huge importance given the emergence of compute-hungry AIs. The options aren’t amazing, mainly because we’ve been neglectful in the past:

    “The UK’s limited options in this strategically important technology should make us reflect on the decisions – implicit and explicit – that led the UK to be in such a weak position.

    “Korea & Taiwan – with less ideological aversion to industrial strategy than UK – rode the wave of the world’s fastest developing technology while the UK sat on the sidelines. Their economic performance has surpassed the UK.”

    #

  • Andreas Wagner, in an extract from his new book, details the evolutions – in both biology and human culture – that lay dormant for years before suddenly encountering the conditions in which to become successful:

    “These and many other new life forms remained dormant before succeeding explosively. They are the sleeping beauties of biological evolution. They cast doubt on many widely assumed beliefs about success and failure. And these doubts apply not just to the innovations of nature, but also to those of human culture.”

    This reminds me of the theory of the “slow hunch”, which Clive Thompson wrote about last year. #

  • AI and coal mines

    On the cusp of the widespread adoption of AI, which organisations will successfully adopt it and which will fail? As ever, there’s a lesson from history.
  • A couple of months ago a video did the rounds of David Guetta, who’d used AI to conjure up a realistic-sounding sample of Eminem. It was interesting, but also pretty meh: it sounded like Eminem, sure, but the lyrics were nonsensical and it all had a slightly uncanny feel about it. It felt like the jobs of rappers were safe for now.

    Then, a couple of weeks ago, hip-hop duo Alltta released the song Savages, and everything changed. It illustrated how far things have come in just a couple of months, but also how incredible human-AI collaborations could be: it features lyrics by rapper Mr. J Medeiros, delivered in the unmistakeable flow of Jay-Z, backed by a genuinely good beat. It’s amazing and scary in equal measure.

    Over at BuzzFeed News (RIP), Chris Stokel-Walker takes a tour through some of the recent developments in AI-generated hip-hop, and delves into the legal issues that are looming:

    “While a consensus is forming that generative AI is potentially troublesome, no one really knows whether hobbyist creators are on shaky legal ground or not. pieawsome said he thinks of what he does as the equivalent of modding a game or producing fanfiction based on a popular book. ‘It’s our version of that,’ he said. ‘That may be a good thing. It may be a bad thing. I don’t know. But it’s kind of an inevitable thing that was going to happen.’”

    #

  • Brian Feldman on why the slow-motion shambles that is Twitter feels like a throwback to the old web:

    “My current theory of Musk is that he’s a guy who did a lot of coding many, many years ago and it made him very rich and confident, and so nobody who still works at Twitter has the energy to correct him when assumes, ‘If we go into the <img> tag and change twitterbird.png to doge.png, we’ll have ourselves an epic prank.’

    “Being able to sense someone messing with a website in real-time, moving the menu items around and forgetting to close an HTML tag here and there, is a neat feeling. It feels scrappy. I don’t mean to excuse any of this and I feel kinda bad for people who still rely on Twitter. But as someone with no skin in the game, I am enjoying the process, if not the result. I honestly prefer the dynamism of a guy who keeps changing the layout of the world’s most expensive MySpace page to sites of comparable scale promising me a new, inconsequential feature.”

    #

  • Alex Murrell perfectly joins the dots on so many threads of modern culture, and why they’re all so… samey.

    “So, there you have it. The interiors of our homes, coffee shops and restaurants all look the same. The buildings where we live and work all look the same. The cars we drive, their colours and their logos all look the same. The way we look and the way we dress all looks the same. Our movies, books and video games all look the same. And the brands we buy, their adverts, identities and taglines all look the same.”

    Murrell’s argument is that, in an increasingly homogeneous world, there’s a greater opportunity than ever to do something different – greater returns to distinctiveness, if you will. But I wonder whether that’s really the case. The bland world Murrell describes is one of our own making: algorithms serve us content, and we engage with the blandest bits; market research firms ask us our opinions, and they turn out to be pretty bland too; Airbnb offers us the world and we choose to stay in identikit apartments. Does the world really cry out for distinctiveness and diversity? Or is that only the predilection of art directors and aesthetes? #

  • Izzy Miller trained a large language model – similar to GPT – on the entire history of his friends’ group chats, which had been running for years. He then hosted an interactive version of it for his friends, so they could all chat with the AI versions of themselves. It worked surprisingly well:

    “This has genuinely provided more hours of deep enjoyment for me and my friends than I could have imagined. Something about the training process optimized for outrageous behavior, and seeing your conversations from a third-person perspective casts into stark relief how ridiculous and hilarious they can be.”

    The post contains lots of technical details, if you have the urge to do something similar yourself. #

  • Morocco’s king has become increasingly absent over the past few years, to the frustration of the nation’s bureaucrats. A potential cause? His friendship with three Moroccan-German kickboxing brothers. Nicolas Pelham tells the bizzare story in The Economist; it’s illustrative not just of Morocco’s fraught post-colonial history but of its place in the Arab world, too.

    “Five years ago, an unusual image appeared on Instagram. It showed Mohammed VI, the 54-year-old king of Morocco, sitting on a sofa next to a muscular man in sportswear. The two men were pressed up next to each other with matching grins like a pair of kids at summer camp. Moroccans were more accustomed to seeing their king alone on a gilded throne.

    ‘The story behind the picture was even stranger. Abu Azaitar, the 32-year-old man sitting next to the king, is a veteran of the German prison system as well as a mixed-martial-arts (MMA) champion. Since he moved to Morocco in 2018 his bling-filled Instagram feed has caused the country’s conservative elite to shudder. It’s not just the flashy cars, it’s the strikingly informal tone in which he addresses the monarch: ‘Our dear King,’ he wrote next to one photo of the two of them together. ‘I can’t thank him enough for everything he has done for us.’”

    #

  • Emily Hund’s new book examines the organic origins of influencer culture: the world of blogging that emerged in the late noughties.

    “Before there were Instagram likes, Twitter hashtags, or TikTok trends, there were bloggers who seemed to have the passion and authenticity that traditional media lacked. The Influencer Industry tells the story of how early digital creators scrambling for work amid the Great Recession gave rise to the multibillion-dollar industry that has fundamentally reshaped culture, the flow of information, and the way we relate to ourselves and each other.”

    #

  • The decisions of dictators

    Autocrats, trapped by the dynamics of power, often make awful decisions. Why is that?
  • Lego wasn’t the first stacking brick aimed at kids, but it became overwhelmingly dominant. Why? Phil Edwards explains. #